Nudge an eyeline, match lips to a new line, put the lead’s face on the stunt double — only with the performer’s consent.
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Stunt double, as shot 
Lead’s face, with consent What it does
Performance assist refines a performance that was really given. It never makes one up. An eyeline that misses its mark, a line changed in ADR, a dub that has to match the lips, a stunt double who has to read as the lead. Only the face or mouth region changes; the rest of the shot stays as shot.
The jobs
What you mark
Mark the face or mouth and say what changes: the new eyeline, the new line of dialogue, the lead actor whose face goes on the double, with their approved reference.
What you get back
Shots it’s for
Eyes moved to the mark they missed, frame by frame.
Lips matched to a changed line or a dubbed language.
The lead’s face on the double, lit and blurred like the plate.
Hair, skin tone and build matched between double and lead.
Questions
Yes, always. Before any performance work, the production confirms in writing that each performer whose face, lips or likeness changes has agreed to that specific use. Without it, we don’t run the job.
No. Performance assist refines a performance that was really given. We don’t create synthetic performers, generate performances from nothing, or work with voices.
Journal
Use cases
Access to nolanlabs is by invitation. It starts with a 30-minute demo — on your own footage if you like.
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